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5 shows not to miss in Berlin

14 January 2025 Journal News

5 shows is the new Artissima twice-monthly feature that recommends 5 exhibitions not to be missed in various European cities, chosen from the viewpoint of curators and directors of important institutions familiar with the local context. A different way to find guidance in the discovery of contemporary art across borders, with a personal and always up-to-date perspective.

The first focus is on Berlin, with a selection by Lisa Long, artistic director of the Julia Stoschek Foundation in that city.

Here are the 5 exhibitions currently on view she has chosen for our readers:

 

Nan Golding. This Will Not End Well
Neue Nationalgalerie

Up to 06.04.2025

Neue Nationalgalerie’s retrospective is the first exhibition in Germany to present a comprehensive overview of Goldin’s work. The exhibition is installed in six unique buildings designed by Hala Wardé, an architect who frequently works with Goldin. Each building is designed in response to the specific piece. Together they constitute a village. “I have always wanted to be a filmmaker. My slideshows are films made up of stills,” says Nan Goldin.
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Nan Goldin, Fashion show at Second Tip, Toon, C, So and Yogo, Bangkok (Modenschau im Second Tip, Toon, C, So and Yogo, Bangkok), 1992, Photography from the Series "The Other Side” © Nan Goldin. Courtesy the artist
Nan Goldin, Picnic on the Esplanade, Boston (Picknick auf der Esplanade, Boston), 1973, Photography from the Series “The Other Side” © Nan Goldin. Courtesy the artist
Nan Goldin, Self-portrait with eyes turned inward, Boston (Selbstportrait mit nach Innen gedrehten Augen, Boston), 1989, Photography from the Series “Sisters, Saints and Sybils” © Nan Goldin. Courtesy the artist

 

 

 

Samuel Fosso. Black Pope. Werke 1975-2017
KINDL Centre for Contemporary Art

Up to 16.02.2025

Samuel Fosso (* 1962 in Kumba, Cameroon, lives in Bangui, Central African Republic and Paris, France) is one of Africa’s most renowned photographic artists. In his theatrical self-portraits, he adapts iconic images of historical figures and social stereotypes. For this solo exhibition, the KINDL will showcase a selection of Fosso’s works from the 1970s to the present.
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Exhibition view, KINDL – Centre for Contemporary Art. Photo: Jens Ziehe, 2024
Exhibition view, KINDL – Centre for Contemporary Art. Photo: Jens Ziehe, 2024
Self-portrait from the series 70’s Lifestyle, 1975-1978 Collection Maison Européenne de la Photographie, Paris © Samuel Fosso

 

 

 

I Know That I Can Double Myself
Georg Kolbe Museum

Up to 09.03.2025

The Georg Kolbe Museum is delighted to present the artistic work of the Austrian-French artist, choreographer and director Gisèle Vienne (*1976) for the first time in Berlin in fall 2024. This exhibition will take place as part of Berlin Art Week and is part of a joint project with Haus am Waldsee, where the artist will present a solo exhibition, and Sophiensælen where the piece “Crowd” will be shown on stage. In the exhibition at the Georg Kolbe Museum, Gisèle Vienne’s contemporary works enter into a transhistorical dialog with works by female artists of the European avant-garde. This encounter provides unique insights into the multifaceted use of puppets in art.
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Exhibition view "I know that I can double myself. Gisèle Vienne and the dolls of the avant-garde". Georg Kolbe Museum, 2024, Photo: Enric Duch
Gisèle Vienne, Dolls, 2006-2024, exhibition view "I know that I can double myself. Gisèle Vienne and the dolls of the avant-garde". Georg Kolbe Museum, 2024, Photo: Enric Duch
Gisèle Vienne, This causes consciousness to fracture, 2024, Foto: Estelle Hanania © VG Bild-Kunst, Bonn 2024

 

 

 

Rohini Devasher. Borrowed Light
Palais Populaire

Up to 10.03.2025

Rohini Devasher delves into the intersections of science, art, and philosophy through her research-intensive practice. Borrowed Light, Devasher’s first institutional solo exhibition in Europe, highlights her longstanding engagement with astronomy, where light plays a pivotal role. For Devasher, the key to exploring new cosmologies between the human and the non-human lies in examining the interplay between place, observer, and observation.
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Rohini Devasher, "One Hundred Thousand Suns", 2023. Installation view PalaisPopulaire 2024, Four-channel video installation, 25'17''. Photo: Mathias Schormann. Copyright: © Rohini Devasher
Rohini Devasher, "One Hundred Thousand Suns", 2023. Installation view PalaisPopulaire 2024, Four-channel video installation, 25'17''. Photo: Mathias Schormann. Copyright: © Rohini Devasher
Rohini Devasher, "Shadow Portraits", 2023. Installation view PalaisPopulaire 2024 Fumage, flame on copper plate 30.5 x 35.6 cm (each). Photo: Mathias Schormann. Copyright: © Rohini Devasher and Gallery Wendi Norris, San Francisco

 

 

 

Semiha Berksoy. Singing in Full Colour
Hamburger Bahnhof

Up to 11.05.2025

Hamburger Bahnhof – Nationalgalerie der Gegenwart is presenting the first comprehensive retrospective in Germany of the Turkish painter and opera singer Semiha Berksoy (1910 – 2004). Berksoy studied at the Hochschule für Musik in Berlin from 1936 to 1939, and enjoyed a distinguished career as a visual artist and an opera singer. Spanning over six decades, the exhibition traces Berksoy’s continued connection with Berlin, and explores the intersection of her two passions, emphasising her unique, spontaneous, and bold approach to painting.
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Semiha Berksoy. Installation views in Hamburger Bahnhof, Berlin, Germany on November 21, 2024 @Jacopo La Forgia
Semiha Berksoy. Installation views in Hamburger Bahnhof, Berlin, Germany on November 20, 2024 @Jacopo La Forgia
Semiha Berksoy. Installation views in Hamburger Bahnhof, Berlin, Germany on November 21, 2024 @Jacopo La Forgia

 

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